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Archive for July, 2009

I have found that people buying paintings for relatives usually have a very specific thing in mind when they set out shopping. It is very rewarding to find just the right painting for a space that really needs it. Sometimes color is the only consideration.

Content is also very appropriate to consider. If you are buying a painting for someone that has very distinct tastes, it is important to keep that in the forefront of your mind. The painting of a rooster might be great for one relative but not for another.

Size constraints need to be taken into account when buying paintings for relatives. If your Aunt Eloise lives in a small apartment, buying a painting for her that takes up an entire wall is not a good idea. It is a good idea to take a look at the place the painting will go before purchasing one.

Color can be a big factor in the buying of a painting. If the color clashes with your relative’s décor, they will probably not be very excited about hanging it. If the color is just right, it will hang on their wall for a very long time.

Religious themed paintings are difficult to buy for friends, but easy to buy for relatives. More than likely, you know what religion your relatives adhere to and what symbols are most relevant to it. Jewish symbolism is lost on a Christian family and vice versa.

Choosing to buy paintings for relatives based on the artist’s previous work is also a good method of finding great art. If your relative already has purchased art from an artist that they like and that they hang prominently in their home, then it is a safe bet to buy another piece from the same artist.

Sometimes buying a nice painting for a relative has a point of inspiration, like a vacation. If your mom and dad just visited Paris, a nice painting of Paris might be a great choice. It is good to know what landmarks they enjoyed most and find an artistic representation of it.

I have some relatives that I’ve bought paintings for that were interested in the Middle Ages. I found some very nice reproductions of the work that was popular in that time period. Buying reproductions is acceptable if the painting is prohibitive in cost.

There is an aunt that I adore that is always buying painting for relatives. Her heart is in the right place, but she has a hard time picking paintings that are appropriate for the recipient. She bought her daughter a lovely painting that was Baroque and completely did not fit the feel of her home.

Landscape paintings done in the Romantic style look so nice in my uncle’s home. I bought him a reproduction of a Monet that he hung in his study. I enjoy watching him study that painting.

My little sister has requested that anyone buying her a painting should stay away from Van Gogh. She has equal dislike for Cezanne and Gauguin. I’m not sure why she feels so strongly about Modern and Contemporary art.

I happen to like cubist paintings by Kandinsky. My husband bought me a reproduction of a Kandinsky that I keep in my den. I can look into it and see so many different things. The painting comes to life and I feel so many emotions when I look into it.

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Between the 18th and 20th centuries, a few quite distinctive trends were absorbed into the category of Neoclassicism, and it during these times that the movement as a whole came to absorb the classical inspirations that created a revival of ideals. These ideals, though standards from ages past, were defined by the artists synthesis of these elements into new works of art. It does not recreate styles of art from scratch, but instead shows the artists control over a particular body of classical works. By drawing from the classics of the past, Neoclassicism was paying tribute to eras of awareness that perhaps slipped away, but to regain some sense of these classical influences.

In Europe, neoclassicism began as a reaction against the Baroque and Rococo styles, and a desired return to the art of Romanesque and Renaissance classicism. Each individual grouping of Neoclassicism, whether affecting architecture or the visual arts, has attempted to capture the ideas of times gone by to utilize them in forms of art that were considered modern at the time. In neoclassicist painting in particular, the subject matter seems to hearken back to those classical ideas by reviving those Greek to Renaissance themes, and forcing them into peculiar constraints that would recreate the elements into new formats.

The Neoclassical style of artwork was heavily present during both the American and French Revolutions, and revival in the interest of classical thought in the style of ancient Greece and Rome, at times affecting a more Byzantine stance in some countries. A counterbalance came in the form of the Romanticism movement, and it never replaced Neoclassicism so much as aided in the influencing of many artists throughout the 19th century and beyond. When the architecture began to dominate the main aspects of neoclassicism, and has been found to be academically selective of the best Roman models guided with self-restraint.

At first, the style had been grafted with other popular European forms of architecture, and this style became quite pronounced as neo-classically inspired furnishings were popular for the time. The style soon had international renown, and it was at this point that the architecture became strongly influenced by Roman designs after the discoveries at Pompeii, during excavations that took place at that time. Though all these designs seem a bit absurd and overcomplicated nowadays, there was a flush of Greek inspired work in the forms of busts and vases after 1800, and this was called the Greek revival.

Continuing to be a force after the turn of the 19th century, even as Romanticism and Gothic styles took favor, but it seemed anti-modern to influential critical circles by the late 19th century. In the mid-19th century, several European cities had grandiose examples of the neoclassical style of architecture, and even early American architecture reflected this movement in various national monuments, and some of those monuments were the Lincoln Memorial and the National Gallery in Washington D. C. Soon, however, World War II would shatter those preconceptions for the world round.

Covertly, there were many modernists that chose to express a neoclassical influence with subtle tribute here and there, and even Picasso played around with reincorporating neoclassical motifs into his work at one time. Even the Art Deco style was using these ideas on a very sly level of utilization, playing with classic Grecian lines and even breaking out in American culture through architecture and the dime by 1950, and became a strong ideology in the time between both World Wars. This literary and very literal side of the movement rejected the romanticism of Dada, for example, for the restraint of religion and reactionary politics.

It can be a difficult bout to sort through all these items to find the ideal artwork that you would enjoy, and there many whose catalogs are extensive to say the least, making it quite an effort to glimpse through all of those works to find the pieces that you would enjoy the most. Finding the particular classifications that art periods fall under, such as neoclassicism, can keep your interest guided by where you can find most amount of work that you can acquire. Keep in mind, however, that many of these pieces are quite priceless to many collectors, and that buying a print of a particular famed work mat be more cost-effective for your budget.

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Musical themed paintings can be fun to find and fun to buy. I have a musician friend that recently purchased a new home. She bought new furnishings and asked me to find a new painting for her. I found her a fabulous creation by Osnat. It was an enormous, gallery size painting.

My friend’s new furnishings were very contemporary and the Osnat musical themed painting I bought for her was breathtaking when all five parts were mounted. The musical staff ran the length of the painting with musical notes painted on it. The painting had pretty shades of yellows and oranges. It looked so elegant.

I found a still life musical themed painting of a guitar to buy for a friend. He always has had beautiful pieces of art in his home and he wanted to change some of the pieces he had grown tired of. The abstract piece that I found really struck a cord with my friend and he ended up buying another painting from the same artist.

I found a painting that was called Music of Fire that didn’t really seem to have a musical theme. I showed it to a friend and she told me that the flames looked like they were dancing. She told me that I was using a very narrow definition of musical themed paintings when I was buying art.

Abstract guitars really seem to be my favorite musical themed paintings. I like to buy them when they jump out at me. There is an artist named Slazo that is very prolific with his musical themed guitar paintings. He has had a lot of exhibitions in Florida.

A friend of mine asked me to find artwork by an Armenian named Aram Koupetzian. I was able to find a musical themed painting called Rondo by this artist. It was really intriguing. I’ve never purchased a painting in the Cubist style before. The exact style of this musical themed painting was Synthetic Cubism. I liked it a lot. There is a lot to look at in the painting.

A couple of years ago, a good friend of mine graduated from the University of Texas in Austin with a degree. He had a double major of music and education. He got a job as an assistant band director at a middle school in Austin. As a combination graduation and new job present, I bought him a musical themed painting.

The musical themed painting that I chose was painting by Tilo Rothacker that depicted a jazz musician playing a trumpet. It was so very colorful and it felt a lot like New Orleans. My friend and I had visited the French Quarter several times together. This musical themed painting celebrated his life changes and our friendship perfectly.

My younger sister is quite the accomplished violinist. She moved to New York and went to Juilliard. Her path changed after a couple of years in New York. She stopped pursuing the violin as a career, but her love for her music never waned. I bought her a musical themed painting when she bought her apartment. It was a contemporary abstract with brilliant rich jewel tones that depicted a woman violinist.

I was looking for musical themed paintings one day when I found Melody of Sunset for sale. I’m not sure why this painting bothered me so much. The woman was playing the piano, but she seems disembodied and strange. Her eyes were closed. This musical themed painting just did not strike a cord with me and I did not buy it.

My favorite musical themed painting in a long time was The Sound of Jazz. It was painted by Sarah Kinan and it is gorgeous. It is hard for me to not smile when I’m looking into this painting. The background looks like confetti and the foreground is filled with musical instruments. This musical themed painting can be described as feeling like a party.

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Synchromism paintings feature harmoniously balanced colors and a feeling of movement. It is believed that synchromist paintings evoke similar feelings and sensations as music. This is a basic tenet of the synchromism art movement. As such, these paintings make wonderfully pleasing additions to any modern art collection.

Founded in 1912 by Morgan Russell and Stanton MacDonald-Wright, synchromism was an art movement based no the idea that sound and color are phenomena that are similar in the way that the individual experiences and perceives them. Movement as well as organization of color into â??color scalesâ?? are the ways in which synchromism pieces correlate to musical art forms.

A basic tenet of synchromism is that color can be arranged or orchestrated in much the same way that notes of a symphony are arranged by composers. This harmonious arrangement of colors and shapes produces experiential results similar to that of listening to well balanced orchestral compositions.

Artists of the synchromism art movement believed that by painting in color scales could evoke sensations that were very musical in nature. Typically, synchromism pieces feature a strong rhythmic form or forms that then advance toward complexity in form and hue, moving in a particular direction.

In many cases, such explosion of color using color scales pours out in a radial pattern. It is most common for synchromism art works to have some sort of central vortex that bursts outward with color, into complex color harmonies.

The first painting to be dubbed a synchromism work, was Morgan Russellâ??s â??Synchromy in Greenâ?? which was exhibited in Paris at the Paris Salon des Independants in the year 1913. That same year, the first exhibition featuring primarily synchromist works by MacDonald-Wright and Russell was held in Munich, Germany. Following the synchromist exhibition in Munich, there were exhibits in both Paris and New York.

These first synchromist pieces were some of the first non-objective abstract paintings found in American art. These later became better known under the label of â??avante-gardeâ??. In this way, synchromism was the first American avant garde art movement that gained attention internationally.

Synchromism has been compared and contrasted to Orphism. Orphism refers to paintings that relate to the Greek god Orpheus, the symbol of song, the arts and the lyre. Though Orphism is rooted in cubism, this movement moved toward a lyrical abstraction that was more pure, in the sense that this form of painting was about synthesizing a sensation of bright colors.

Though there is little doubt that Orphism was an influence to later Synchromism, Synchromists would argue that it is an entirely unique art form. As Stanton MacDonald-Wright said, â??synchromism has nothing to do with orphism and anybody who has read the first catalogue of synchromism â?¦ would realize that we poked fun at orphism.â?

Several other American painters have been known to experiment with synchromism. Whether synchromism was a branch of orphism or its own unique art form, there is little doubt that the harmonious use of color and movement based composition inspired many artists and art forms. Among these artists were Andrew Dasburg, Thomas Hart Benton and Patrick Henry Bruce.

Though the majority of Thomas Hart Bentonâ??s works centered on regionalism and murals, there was also a strong flair of synchromism. Bentonâ??s interest and incorporation of synchromism was due mainly from having studied with synchromism artists such as Stanton MacDonald-Wright and Diego Rivera.

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I have a family that has commissioned me to find all of the Jewish paintings I can find. He has given me no budget constraints. I’m not sure why he doesn’t have guidelines set up for me to follow; he just wants to amass a collection quickly.

I found an oil on canvas that was a Jewish painting called Jewish meeting. The artist was Amparo Cruz Herrera. The artist is Spanish and this work exuded grace. I liked it a lot. I purchased it for eight thousand dollars. My benefactor was happy with the purchase.

My client made no distinction between Jewish paintings that were of a religious nature and those that were only painted by a Jewish person. I bought a rare Leon Bakst that was dated 1910. His subject was a person in an exotic costume. I’m not sure where my client plans to display it.

The next Jewish painting I found for him was a cityscape in oil of a deserted house in Veroia. This painting only cost six thousand dollars. Veroia is a Jewish neighborhood in northern Greece. I thought that this painting was a little bit unsettling.

I found another good Jewish painting for my client. The title of the painting was Juedisches Oesterreich Jewish Austria and was created by Frank Ettenberg in 2004. The person that sold me the painting said that the painting evoked a feeling of the artist’s state of being face to face with nationalism, his ethnic identity and an existential situation.

I found another Jewish painting I liked for four thousand dollars. The oil painting called Birds of Paradise was painted by Maurice Sterne. Sterne was a Jewish immigrant from Russia. He was the first person to have a retrospective at the Museum of Modern Art in New York. He exhibited 174 paintings, drawings and sculptures.

I found a Jewish painting of a cat that sold for thirty five hundred dollars. The artist of this work was Wettingfeld Zarojewski. I could not find any other work from this artist at all. My client really liked it. He is also a cat lover in addition to being a collector of Jewish art.

There was a wonderful Jewish painting of a woman seated. I fell in love with it on sight. The woman depicted looks so reflective and comfortable. I feel at ease just gazing at her.

I finally found a religiously significant Jewish painting for my client. The artist was Joan Landis and the title of the painting was Simhat Torah. This is the painting that was used by Pomegranate Publishing for their 2003 calendar and their greeting cards. I thought it was lovely.

I liked the Jewish painting by Joan Landis so much that I sought out more of her work. I purchased two paintings. One of the paintings was named Shabbat and the other one was Mikveh. I took the three that I purchased to my client and he fell in love with them. He asked me to find more of her work.

I found more work by Joan Landis and I purchased every one I came across. I found three more of the Jewish paintings on eBay at reasonable prices. I purchased Shavuot, Purim and Birth for three thousand dollars each. I felt like I got a bargain.

I liked the colors in the Jewish painting I bought called The Tailor Shop. This painting was created by Jacob Glushakow. He was an active member of the Jewish community in Baltimore. His parents were immigrants from Russia at the start of WW1. He has a painting that is still kept in the permanent collection of the Baltimore Museum of Art.

I was fortunate to find two Jacob Glushakow Jewish paintings on the same buying trip. The other painting I found was entitled Barn in Maryland. I liked it a lot and my client was very pleased with what I brought for him.

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